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Commissioner of the Gotham City Police Department and one of the few honest cops in the city. Oldman said the character’s job of cleaning up Gotham City left him world-weary and a bit bored, comparing the character to a soldier who gets a chance to be on the front lines. His life has taken a turn for the worse since The Dark Knight; his wife left him and took his children, and the mayor plans to fire him. The commissioner feels guilty about his role in covering up Harvey Dent’s crimes to the point that he is prepared to resign his post over it, but refrains from doing so when he senses that Gotham is about to receive a new threat.
A professional thief, con artist and femme fatale who establishes a playfully teasing relationship with the hero that «takes some of the grim out of [Bale’s] character,» going after a «clean slate» computer program so she can erase her criminal record when she crosses paths with both Bruce and Batman. Hathaway auditioned without knowing what role she was being considered for, admitting that she had a character in mind, but only learned the role was Catwoman after speaking with Nolan for an hour. The actress described the role as the most physically demanding she had ever played, and confessed that although she thought she was fit, she had to intensify her efforts in the gym to keep up with the demands of the role. He trained five days a week for the role, including rigorous workouts and stunt training followed by an hour and a half of dance. She explained, «I always thought the goal was thinness, but with this job I also have to be strong.» She trained extensively in martial arts for the role, and pointed to Hedy Lamarr-who was the inspiration for the character of Catwoman-when developing her performance. She also trained extensively in martial arts for the role, and pointed to Hedy Lamarr-who was the inspiration for the character of Catwoman-when developing her performance. She also had to be strong.
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The Dark Knight: The Legend Reborn (Film). 2012 English-American co-production directed by Christopher Nolan and starring among others: Christian Bale, Tom Hardy, Anne Hathaway, etc.
There are films that are difficult to approach because of their complexity. Others are ‘daughters of their time’ and are conditioned by the expectations one has placed on them. «The Dark Knight Rises» (TDKR for short) belongs to this second group thanks to the cult that its director has generated since he made a name for himself with the intelligent «Memento» (his official debut, «Following» has barely been seen by followers of the director) and that with his remarkable approach to the Batman film franchise (in a trilogy that now concludes) he earned praise, fans and of course, detractors. With TDKR I fear that both will defend/attack equally on what is undoubtedly the least good of this master trident in which darkness and realistic approach to the original source material go hand in hand to leave a memorable spectacle. If with the first one he laid some foundations in the second one (the brilliant, anarchic «The Dark Knight») he made the difficult easy. In this third one he seeks a balance and although the spectacle is still outstanding (in terms of entertainment) the script falters at points where it should not.